A daily newsletter guide to what is happening on your screens - TV, streaming, movies, games, VR, AR
Dan Barrett is an industry commentator & TV critic. He does radio - 4BC & ABC GC and co-hosts the Screen Watching podcast. He's a former Mediaweek deputy editor and content creator for SBS.
What you'll be watching this weekend: 30 Aug - 1 Sept 2019
Always Be Watching is written by Dan Barrett
As I type this at the Always Be Watching HQ in Sydney, Australia, it is currently bucketing with rain outside. Perfect weather to hit the couch and thankfully the TV gods have rained a bunch of interesting shows.
The Dark Crystal prequel series is the absolute pick of the weekend. You don’t need to have seen the film to understand this (I recall trying to watch the film as a kid and I was possibly just too young for it at the time). The critics have raved about it.
Amazon have its own genre show for the weekend with Carnival Row. It’s a sexy steam-punky kind of show that critics have been a bit middling on.
I’m also still re-working my way through Mindhunter season 1. I tried to get started on the 2nd season after a 2+ year gap and was just a bit too confused, so I’m currently rewatching an episode every night before bed. I should be onto season 2 tomorrow.
As always, thank you for reading Always Be Watching every day/week. I appreciate your support. If you have friends who might value it, please forward this email to them and suggest that they sign-up.
Power (s6), The Affair (s5), Ballers (s5), Glitch (s3), Peaky Blinders (s5)
The Dark Crystal: Age of Resistance - Netflix (US)
Krystal Gill is a minimum-wage-earning water park employee who will eventually scheme her way up the ranks of Founders American Merchandise: the cultish, flag waving, multi-billion dollar pyramid scheme that drove her family to ruin.
Charlotte Heywood, a spirited and impulsive woman who moves from her rural hometown to Sanditon, a fishing village trying to reinvent itself as a seaside resort, is exposed to its 'intrigues and dalliances' and the locals whose fortunes depend on Sanditon's commercial success in a story of love and self-discovery in the 19th century. Inspired by Jane Austen's unfinished final novel of the same name.